photo: Masiel Acevedo
I'm an audiovisual historian and filmmaker working at the intersection of research and art, which is where I've built Seven Local Film in Jackson Heights, Queens, where I live. Meanwhile, I teach Screen Studies in Brooklyn College's Feirstein Graduate School of Cinema, in the borough where I was born and raised.
Between Neighborhoods (2018)
Small Kitchens (2020)
I am currently at work on Our Neighborhood, a feature-length documentary that examines Washington's secret production of television propaganda for Latin America across the Sixties. Grants from the American Council of Learned Societies and the National Endowment for the Humanities funded its archival research and a year as a fellow in multimedia history at Harvard's Charles Warren Center supported its development. I am also editing a new interborough/interamerican short, The Actor in His Labyrinth.
poster: Don Calva
My journey from historian to filmmaker generates my documentary practice. I did my undergraduate degree in history at Cornell University and my doctorate, also in history, at the University of Texas at Austin, where my dissertation, Hollywood and United States-Mexico Relations in the Golden Age of Mexican Cinema, won the Barnes Lathrop Prize. My published scholarship focuses on film, television, propaganda, and the history of the Americas.
photo: CB House
Among other places, I've taught at Barnard, Columbia, and Yale, where, between 2002 and 2010, I was a professor of History (US-World Relations), Film, Latin American and American Studies, and where I received Yale's Poorvu Prize for Excellence in Interdisciplinary Instruction (for my course The Idea of the Western Hemisphere), its Graduate Mentorship Prize for the Humanities, and a McCredie Fellowship in Instructional Technology, which inadvertently facilitated my move from writing about audiovisual culture to making it.
The relationship between writing and filmmaking is dynamic. Just as my scholarship's analytic and representational limits pushed me to make video, audiovisual experimentation has spawned essays, Writing for Unisphere, that contemplate the crossborough and global present and past of NYC –– from Queens.
The Unisphere resonates with me personally –– our lives orbit one another –– which I explained at The Moth's first-ever Story Slam held in Queens, in Flushing's Town Hall.