I'm an audiovisual historian and filmmaker working at the intersection of scholarship and art, which is where I have built Seven Local Film in Jackson Heights, Queens, where I live. Meanwhile, I teach Screen Studies in Brooklyn College's Feirstein Graduate School of Cinema, in the borough in which I was born and raised. My films explore audiovisual art's analytic as well as expressive capacity to create history as well as the potential of archival and social research to produce art. 

These objectives generated Between Neighborhoods, my transhistorical artdoc that contemplates the urban and global histories that orbit the Unisphere in Queens across the last half century. I had an opportunity to discuss its evolution in dialogue with my ideas about film and history in a recent interview in Jump Cut 58. And I'm honored that Between Neighborhoods won the Founders Choice Award for Documentary at the Queens World Film Festival, in its home borough.  My current documentary project, Our Neighborhood, examines Washington's secret production of television propaganda in Latin America across the Sixties; grants from the American Council of Learned Societies and the National Endowment for the Humanities funded its initial research and a year as a fellow in multimedia history at Harvard's Charles Warren Center recently supported its development. 

I did my undergraduate degree in history at Cornell University and then my doctorate, also in history, at the University of Texas at Austin, where my dissertation, Hollywood and United States-Mexico Relations in the Golden Age of Mexican Cinema, won the Barnes Lathrop Prize. My publications since then have focused on film, television, and the history of the Americas. Among other places, I've taught at Barnard, Columbia, and Yale, where, between 2002 and 2010, I was a professor of History and Film, Latin American and American studies, and where I was honored to receive the Poorvu Prize for Excellence in Interdisciplinary Undergraduate Instruction (for my course The Idea of the Western Hemisphere), the Graduate School's Mentorship Prize for the Humanities, and a McCredie Fellowship in Instructional Technology, which inadvertently facilitated my move from writing about audiovisual culture to making it. 

Just as my historical work pushed me to make films, my video work's form as well as content has now spawned essays I am collecting as a book. Writing for Unisphere contemplates the interborough and interamerican present and past of global NYC, viewed from Queens.

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